Jahan and even more so Yasmine bring a hair-flailing, head-banging intensity to this electronic machine, gently taunting the audience to respond harder and wilder while wisely recognizing how the crowdвЂ™s enthusiasm ebbs and flows. What they do вЂ“ place Madge-cribbed melodies atop dubstep-driven grooves вЂ“ is a long way from the harder-edged Prodigy, yet their approach reminds me of those elder English fire-starters all the same. On that front, Krewella is indeed вЂњKillinвЂ™ It,вЂќ as another simpleminded but effective single boasts. Besides, what matters most at such events is energy, not authenticity. ThatвЂ™s forgivable given the synthetic setting: Madonna and Miley and especially Britney all occasionally do that, too. Apart from the audibly naked вЂњHumanвЂќ вЂ“ turned into an even rarer sight at an EDM show, an acoustic number вЂ“ their microphones were on merely to allow them to karaoke in triplicate over their own tracks. Not that their vocals werenвЂ™t super-sweetened at Club Nokia. When all three members вЂ“ sound-shaper Kris вЂњRain ManвЂќ Trindl and sister vocalists Yasmine and Jahan Yousaf вЂ“ gathered atop their mountain of jagged reflective surfaces, positioning themselves at the controls to mostly point skyward and don headphones (presumably to give their ears a rest, not check levels), it was hard not to see a co-ed Swedish House Mafia in the making.Д«ut the Yousafs provide potential for a more engaging experience, capped by something you donвЂ™t see much of inside Sahara: actual singing. ThereвЂ™s still that element to this group, which just blasted through L.A.вЂ™s Club Nokia with a vibrant (if one-note) all-ages show en route to an 18-and-older gig tonight at the Fox Theater in Pomona. On record at least вЂ“ like last SeptemberвЂ™s debut for Columbia Records, Get Wet, bolstered by a Top 40 breakthrough, the piano-dappled вЂњAliveвЂќ вЂ“ this Chicago trio seems fully capable of enlivening the usually pointless routine of a thousand points of kaleidoscopic light obscuring a DJ who essentially does nothing but set off triggers. Those are compelling reasons to keep the tent on my polo-field circuit, but probably not enough to get me to do more than dabble.

There are plenty of big names this year to keep them stuffed into Sahara after sundown, from dubstep paradigm Skrillex and that sceneвЂ™s fast-breaking Adventure Club to party-starters like Girl Talk and more pop-geared DJs like Calvin Harris and Fatboy Slim. The only time they venture off for more than sustenance, it seems, is if a must-see favorite appears on an outdoor stage, like Justice or Phoenix in past years, or OutKast and Disclosure this April, or maybe Pet Shop Boys and Empire of the Sun and Chromeo as well, depending on which stage they land on.

From noon (if they straggle in early enough) to well past midnight, these rave-restoring EDM-aholics, who often number in the tens of thousands, do little but congregate in and around the hangar-size space far away from the main stage, their ears bludgeoned by skull-rattling beats, their narcotic-enhanced senses overwhelmed by frenetic visual displays.ДЇor them, itвЂ™s a nonstop electro oasis, a thick slice of Electric Daisy Carnival dropped into the oven-hot desert. Some people go to Coachella strictly to spend three days inside the festivalвЂ™s massive Sahara dance tent.

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